I I Please debit my : Visa / Mastercard / Maestro.Īll payments must be in Pounds Sterling drawn on a British bank.
I I I enclose a Cheque / Postal Order payable to: Sound On Sound Ltd (All subscriptions include FREE electronic access to and the digital edition) N U K 24 issues £84 n E U 24 issues £105 O ROW 24 issues £115 N UK12 issues £42 n EU 12 issues £55 D ROW 12 issues £60 Renewing Subscribers Please enteryour pin number ■ ■ ■ ■ A^^ _L '^^* More product coverage than any The World's Best Recording Technology Magazine And no i don't wanna do it with a real bass.Recording + Production Techniques / Computer Music / Audio Technology / Video Media / In-Depth Reviews I guess i'm gonna do a tryout, because Trilian is awesome, and the only things that bugs me so far are those fast tremolo parts, and i guess there should be a way to make them sound more realistic. the most extreme and cumbersome : playing it with a guitar, and then convert the DI into MIDI using a Melodyne/VariAudio kind of plugin try using a different cutoff/legato/sustain mode and/or articulation in Trilian ? -> maybe Staccato articulation would work (idea taken from MetallyGuitarded in a previous another bass programming thread) ? use way lower velocity for tremolo riffs than for normal riffs ? (not sure about that) Which in the end resembles the following, velocity-wise : for the other 3 notes of each 4 quarter notes group, i do the same kind of velocity changes i would do for a drum roll emphasize (i.e increase velocity) on the first note (out of 4 quarter notes) of each series of quarter notes
The fast part was concerning me the most.Īnyone has some good MIDI programming tips for those fast tremolo parts ?įor now i do the following (in addition to the usual humanization (random timing and velocity changes with my DAW) i do to all my MIDI bass parts) :
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